{"id":433,"date":"2024-02-16T00:05:47","date_gmt":"2024-02-16T06:05:47","guid":{"rendered":"https:\/\/sitio.lacasadecine.com\/accueil\/"},"modified":"2024-03-25T16:32:18","modified_gmt":"2024-03-25T22:32:18","slug":"accueil","status":"publish","type":"page","link":"https:\/\/lacasadecine.com\/fr\/","title":{"rendered":"Accueil"},"content":{"rendered":"

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La Casa de Cine, soci\u00e9t\u00e9 de production mexicaine fond\u00e9e en 2007 par Chisco Laresgoiti et Jordi Mariscal, a r\u00e9alis\u00e9 divers projets cin\u00e9matographiques, notamment des courts m\u00e9trages, des documentaires et des longs m\u00e9trages. Parmi les prix re\u00e7us, figurent le Kids Award du Festival international du film de Toronto pour le film Canela et le prix de la presse au Festival international du film de M\u00e9rida et Yucat\u00e1n pour le film Niebla de culpa.<\/p>\n

La mission de l’entreprise est de cr\u00e9er des histoires cin\u00e9matographiques de haute qualit\u00e9 qui touchent le public. Nous croyons en l\u2019importance de soutenir le c\u0153ur du public. De plus, nous visons \u00e0 utiliser nos documentaires afin de sensibiliser et r\u00e9fl\u00e9chir davantage sur des th\u00e8mes importants et d\u2019actualit\u00e9, en particulier la pr\u00e9servation et d\u00e9fense de l\u2019environnement tout comme les vestiges de notre histoire.<\/p>\n

Chisco Laresgoiti est un r\u00e9alisateur et producteur de films et documentaires. Il a obtenu un master en marketing au Tecnol\u00f3gico de Monterrey et poss\u00e8de un dipl\u00f4me de cin\u00e9ma \u00e0 New York. Ses deux derniers films, Niebla de culpa et D\u00edas negros, ont \u00e9t\u00e9 r\u00e9compens\u00e9s dans plusieurs festivals.<\/p>\n

Jordi Mariscal est un r\u00e9alisateur et producteur de films et documentaires. Il a \u00e9tudi\u00e9 le journalisme \u00e0 El Pa\u00eds (Madrid), obtenu une ma\u00eetrise en litt\u00e9rature compar\u00e9e \u00e0 l’Universit\u00e9 ib\u00e9ro-am\u00e9ricaine et un dipl\u00f4me d’\u00e9criture de sc\u00e9nario \u00e0 Londres. Il a r\u00e9alis\u00e9 le film Canela et son travail le plus r\u00e9cent est la s\u00e9rie de documentaires sur l\u2019environnement au Mexique H\u00e9roes Verdes.<\/p>\n

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2033<\/h2>\n

Un des premiers films de science-fiction mexicains.<\/h3>\n

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type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb||||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb header_2_text_align=\u00a0\u00bbcenter\u00a0\u00bb header_2_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb text_orientation=\u00a0\u00bbcenter\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Le film Canela<\/h2>\n

Canela a remport\u00e9 le Prix du Jury des Enfants du Festival International du Film TIFF Kids en 2013. Sa premi\u00e8re sortie mondiale a eu lieu au Festival International du Film de Berlin en 2012. Il a \u00e9t\u00e9 s\u00e9lectionn\u00e9 au Festival International du Film de la Jeunesse de S\u00e9oul (2012) ainsi qu’au Festival du Film Latino de Chicago (2012), entre autres festivals.<\/p>\n

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parent_stretch_image=\u00a0\u00bboff\u00a0\u00bb]<\/p>\n

Dur\u00e9e:<\/strong> 30 min
Genre:<\/strong> documentaire
R\u00e9alisateur:<\/strong> Jordi Mariscal, Marec Fritzinger
Sc\u00e9nario:<\/strong> Jordi Mariscal, Marec Fritzinger
Photographie:<\/strong> Jordi Mariscal, Marec Fritzinger
Avec <\/strong>: Alejandro Barbosa, Carlos L\u00f3pez, Gabriel L\u00f3pez
Soci\u00e9t\u00e9 de production:<\/strong> La Casa de Cine<\/p>\n

\n

C’est l’histoire de quatre enfants de l’Orchestre des enfants de Neza (Mexico), qui vivent dans un milieu marqu\u00e9 par des difficult\u00e9s \u00e9conomiques, l’ins\u00e9curit\u00e9, l’oisivet\u00e9 et peu d’opportunit\u00e9s culturelles. Cependant, la musique et le sentiment d’appartenance \u00e0 un groupe les aident \u00e0 surmonter ces difficult\u00e9s. De plus, ils b\u00e9n\u00e9ficient du soutien du maestro Roberto, fondateur de l’Orchestre, qui leur apprend \u00e0 jouer d’un instrument et encourage la solidarit\u00e9 entre eux\u2026<\/span><\/p>\n

[\/dsm_card_carousel_child][dsm_card_carousel_child title=\u00a0\u00bbCon una nota (2011)\u00a0\u00bb image=\u00a0\u00bbhttps:\/\/lacasadecine.com\/wp-content\/uploads\/2024\/02\/nota-edited.jpg\u00a0\u00bb image_as_background=\u00a0\u00bboff\u00a0\u00bb button_text=\u00a0\u00bbVoir la galerie\u00a0\u00bb button_url_new_window=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.24.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb dsm_modules_popup=\u00a0\u00bbon\u00a0\u00bb dsm_modules_popup_library=\u00a0\u00bb182″ dsm_modules_popup_trigger=\u00a0\u00bbbutton\u00a0\u00bb dsm_modules_popup_width=\u00a0\u00bb800px\u00a0\u00bb dsm_modules_close_icon_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb parent_button=\u00a0\u00bbon\u00a0\u00bb parent_button_icon=\u00a0\u00bb\ue006\u00a0\u00bb parent_header_level=\u00a0\u00bbh4″ parent_stretch_image=\u00a0\u00bboff\u00a0\u00bb]<\/p>\n

Dur\u00e9e:<\/strong> 15 min
Genre :<\/strong> fiction
R\u00e9alisateur:<\/strong> Jordi Mariscal
Sc\u00e9nario:<\/strong> Jordi Mariscal
Photographie:<\/strong> Felipe P\u00e9rez-Burchard
Avec:<\/strong> \u00c1lvaro Calzadilla, Clementina Guaderrama, Lybia Guzm\u00e1n
Soci\u00e9t\u00e9 de production:<\/strong> La Casa de Cine<\/p>\n

\n

Luis est un gar\u00e7on qui vit \u00e0 Verucruz, pr\u00e8s d’une rivi\u00e8re \u00e0 gros d\u00e9bit. Une nuit, il commence \u00e0 pleuvoir fortement, la rivi\u00e8re se met \u00e0 d\u00e9border et l’eau p\u00e9n\u00e8tre peu \u00e0 peu dans la cabane o\u00f9 Luis vit avec sa famille. Le gamin joue du violon sans broncher, comme s’il voulait s’\u00e9chapper de l\u00e0. La m\u00e8re fait tout ce qu’elle peut pour le sauver, lui et sa s\u0153ur. Cependant, la trag\u00e9die est in\u00e9vitable. Le lendemain, Luis, seul survivant, se met \u00e0 jouer du violon et comprend la magie op\u00e9r\u00e9e\u2026 Une histoire \u00e9mouvante sur le pouvoir de gu\u00e9rison de la musique.<\/p>\n

[\/dsm_card_carousel_child][dsm_card_carousel_child title=\u00a0\u00bb\u00c1nima (2011)\u00a0\u00bb image=\u00a0\u00bbhttps:\/\/lacasadecine.com\/wp-content\/uploads\/2024\/02\/anima-edited.jpg\u00a0\u00bb image_as_background=\u00a0\u00bboff\u00a0\u00bb button_text=\u00a0\u00bbPas de galerie\u00a0\u00bb button_url_new_window=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.24.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_button=\u00a0\u00bbon\u00a0\u00bb button_bg_color=\u00a0\u00bb#9b9b9b\u00a0\u00bb button_use_icon=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb button_bg_color__hover_enabled=\u00a0\u00bbon|hover\u00a0\u00bb button_bg_color__hover=\u00a0\u00bb#9b9b9b\u00a0\u00bb button_bg_enable_color__hover=\u00a0\u00bbon\u00a0\u00bb parent_button=\u00a0\u00bbon\u00a0\u00bb parent_button_icon=\u00a0\u00bb\ue006\u00a0\u00bb parent_header_level=\u00a0\u00bbh4″ parent_stretch_image=\u00a0\u00bboff\u00a0\u00bb]<\/p>\n

Dur\u00e9e:<\/strong> 1h 13min
Genre:<\/strong> Long m\u00e9trage, drame
R\u00e9alisateur:<\/strong> Ant\u00f3n terni
Sc\u00e9nario:<\/strong> Ant\u00f3n Terni
Photographie:<\/strong> Xavi Jos\u00e9
Avec:<\/strong> Achim Sachs, Max Sachs, Angela Reyes et Jes\u00fas Carlos Castillejos
Soci\u00e9t\u00e9 de production:<\/strong> La Casa de Cine y Tropilla Films<\/p>\n

\n

Pablo quitte la ville de Mexico pour s’aventurer dans le d\u00e9sert de San Luis Potos\u00ed, se lan\u00e7ant dans un voyage \u00e0 la d\u00e9rive, se laissant porter par le destin. En chemin, il rencontre des situations et des personnes qui le guident et fa\u00e7onnent son parcours. Le voyage devient intime alors que Pablo d\u00e9couvre sa dualit\u00e9 et s’enfonce plus profond\u00e9ment dans le d\u00e9sert. Le film d\u00e9ploie une musique envo\u00fbtante et projette des images magnifiques des vastes espaces arides et abondants en cactus.<\/p>\n

[\/dsm_card_carousel_child][dsm_card_carousel_child title=\u00a0\u00bb2033 (2009)\u00a0\u00bb image=\u00a0\u00bbhttps:\/\/lacasadecine.com\/wp-content\/uploads\/2024\/02\/2023-edited.jpg\u00a0\u00bb image_as_background=\u00a0\u00bboff\u00a0\u00bb button_text=\u00a0\u00bbVoir la galerie\u00a0\u00bb button_url_new_window=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.24.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb dsm_modules_popup=\u00a0\u00bbon\u00a0\u00bb dsm_modules_popup_library=\u00a0\u00bb190″ dsm_modules_popup_trigger=\u00a0\u00bbbutton\u00a0\u00bb dsm_modules_popup_width=\u00a0\u00bb800px\u00a0\u00bb dsm_modules_close_icon_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb parent_button=\u00a0\u00bbon\u00a0\u00bb parent_button_icon=\u00a0\u00bb\ue006\u00a0\u00bb parent_header_level=\u00a0\u00bbh4″ parent_stretch_image=\u00a0\u00bboff\u00a0\u00bb]<\/p>\n

Dur\u00e9e:<\/strong> 1h 40min
Genre:<\/strong> Long m\u00e9trage, aventure, science-fiction
R\u00e9alisateur :<\/strong> Francisco Laresgoiti
Sc\u00e9nario:<\/strong> Jordi Mariscal
Photographie:<\/strong> Luis Sansans
Avec:<\/strong> Ra\u00fal M\u00e9ndez, Claudio Lafarga, Sandra Echeverr\u00eda
Soci\u00e9t\u00e9 de production:<\/strong> La Casa de Cine<\/p>\n

\n

Nous sommes en l’an 2033, et l’arm\u00e9e contr\u00f4le ce qui \u00e9tait autrefois la ville de Mexico. L’arm\u00e9e interdit le culte de la foi catholique et d’autres croyances, tout en restreignant la libert\u00e9 d’expression. Ce n’est pas tout. Pour contr\u00f4ler la population, elle leur fournit une boisson contenant une substance addictive : une drogue apaisante. Mais Pablo, un jeune homme issu de l’\u00e9lite de cette soci\u00e9t\u00e9, se rebelle et rejoint le P\u00e8re Miguel pour aider les croyants \u00e0 lutter contre le r\u00e9gime. En chemin, il tombe amoureux de Luc\u00eda, une belle jeune fille, avec qui il partage cette mission difficile.<\/p>\n

[\/dsm_card_carousel_child][dsm_card_carousel_child title=\u00a0\u00bbCanela (2012)\u00a0\u00bb image=\u00a0\u00bbhttps:\/\/lacasadecine.com\/wp-content\/uploads\/2024\/02\/canela-edited.jpg\u00a0\u00bb image_as_background=\u00a0\u00bboff\u00a0\u00bb button_text=\u00a0\u00bbVoir la galerie\u00a0\u00bb button_url_new_window=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.24.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb dsm_modules_popup=\u00a0\u00bbon\u00a0\u00bb dsm_modules_popup_library=\u00a0\u00bb197″ dsm_modules_popup_trigger=\u00a0\u00bbbutton\u00a0\u00bb dsm_modules_popup_width=\u00a0\u00bb800px\u00a0\u00bb dsm_modules_close_icon_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb parent_button=\u00a0\u00bbon\u00a0\u00bb parent_button_icon=\u00a0\u00bb\ue006\u00a0\u00bb parent_header_level=\u00a0\u00bbh4″ parent_stretch_image=\u00a0\u00bboff\u00a0\u00bb]<\/p>\n

Dur\u00e9e:<\/strong> 1h 40min
Genre:<\/strong> Long m\u00e9trage, com\u00e9die familiale
R\u00e9alisateur:<\/strong> Jordi Mariscal
Sc\u00e9nario:<\/strong> Maril\u00fa Acosta et Jordi Mariscal
Photographie:<\/strong> H\u00e9ctor Ortega
Avec:<\/strong> Ana Mart\u00edn, Isabel Yudice, Norma Ang\u00e9lica
Soci\u00e9t\u00e9 de production:<\/strong> La Casa de Cine
Premi\u00e8re:<\/strong> Festival du film de Berlin (2012)
Prix:<\/strong> Festival international du film de Toronto – Kids (2012)<\/p>\n

\n

Mar\u00eda est une petite fille qui aime cuisiner. Mais sa grand-m\u00e8re, Do\u00f1a Tere, propri\u00e9taire d\u2019un restaurant, a perdu son amour pour la cuisine. Apr\u00e8s la mort de sa fille, elle n’a plus remis les pieds dans les locaux. Maintenant, l’endroit est entre les mains du chef Rosi, qui pr\u00e9pare des plats mexicains avec des touches de fusion fran\u00e7aise, ce qui ne pla\u00eet pas \u00e0 Mar\u00eda. Emplie d\u2019\u00e9nergie et de joie, elle convainc sa grand-m\u00e8re de retourner au restaurant pour pr\u00e9parer ses plats mexicains traditionnels que ses clients aiment tant. Une histoire touchante qui met en valeur l’attitude g\u00e9n\u00e9reuse d’une petite fille et insiste sur l’importance d’utiliser les dons que chaque personne poss\u00e8de. En effet, ce sont les dons de chacun qui aident \u00e0 enrichir sa propre vie, tout en b\u00e9n\u00e9ficiant l\u2019entourage.<\/p>\n

[\/dsm_card_carousel_child][dsm_card_carousel_child title=\u00a0\u00bbNiebla de culpa (2018)\u00a0\u00bb image=\u00a0\u00bbhttps:\/\/lacasadecine.com\/wp-content\/uploads\/2024\/02\/niebla-edited.jpg\u00a0\u00bb image_as_background=\u00a0\u00bboff\u00a0\u00bb button_text=\u00a0\u00bbVoir la galerie\u00a0\u00bb button_url_new_window=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.24.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb dsm_modules_popup=\u00a0\u00bbon\u00a0\u00bb dsm_modules_popup_library=\u00a0\u00bb204″ dsm_modules_popup_trigger=\u00a0\u00bbbutton\u00a0\u00bb dsm_modules_popup_width=\u00a0\u00bb800px\u00a0\u00bb dsm_modules_close_icon_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb parent_button=\u00a0\u00bbon\u00a0\u00bb parent_button_icon=\u00a0\u00bb\ue006\u00a0\u00bb parent_header_level=\u00a0\u00bbh4″ parent_stretch_image=\u00a0\u00bboff\u00a0\u00bb]<\/p>\n

Dur\u00e9e:<\/strong> 1h 12min
Genre:<\/strong> Largometraje, drama, thriller
R\u00e9alisateur:<\/strong> Chisco Laresgoiti
Sc\u00e9nario:<\/strong> Chisco Laresgoiti
Photographie:<\/strong> Carlos Guizar
Avec:<\/strong> Marina de Tavira, Marco Trevi\u00f1o, Rolf Petersen
Soci\u00e9t\u00e9 de production:<\/strong> La Casa de Cine<\/p>\n

\n

Une femme mexicaine fortun\u00e9e confie son nouveau-n\u00e9 \u00e0 une nourrice qui a travaill\u00e9 pour la famille. Elle part en voyage avec son mari, ignorant paisiblement ce qui l’attend. Soudainement, la nourrice, analphab\u00e8te, se retrouve dans une situation compliqu\u00e9e avec le b\u00e9b\u00e9 et, dans son d\u00e9sespoir, agit de mani\u00e8re irresponsable. Une repr\u00e9sentation dramatique, o\u00f9 l’abus et la tromperie rythment l’intrigue.<\/p>\n

Ce film en noir et blanc a remport\u00e9 de nombreux prix et a \u00e9t\u00e9 salu\u00e9 par la critique. \u00ab\u00a0Les performances des acteurs et des non-acteurs sont admirables\u00a0\u00bb, a d\u00e9clar\u00e9 Columba V\u00e9rtiz de la Fuente, de la revue Proceso. Pour en savoir plus, visitez: www.niebladeculpa.com<\/a><\/p>\n

[\/dsm_card_carousel_child][dsm_card_carousel_child title=\u00a0\u00bbD\u00edas negros (2021)\u00a0\u00bb image=\u00a0\u00bbhttps:\/\/lacasadecine.com\/wp-content\/uploads\/2024\/02\/dias-edited.jpg\u00a0\u00bb image_as_background=\u00a0\u00bboff\u00a0\u00bb button_text=\u00a0\u00bbVoir la galerie\u00a0\u00bb button_url_new_window=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.24.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb dsm_modules_popup=\u00a0\u00bbon\u00a0\u00bb dsm_modules_popup_library=\u00a0\u00bb209″ dsm_modules_popup_trigger=\u00a0\u00bbbutton\u00a0\u00bb dsm_modules_popup_width=\u00a0\u00bb800px\u00a0\u00bb dsm_modules_close_icon_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb parent_button=\u00a0\u00bbon\u00a0\u00bb parent_button_icon=\u00a0\u00bb\ue006\u00a0\u00bb parent_header_level=\u00a0\u00bbh4″ parent_stretch_image=\u00a0\u00bboff\u00a0\u00bb]<\/p>\n

Dur\u00e9e:<\/strong> 1h 27min
Genre:<\/strong> Largometraje, ficci\u00f3n
R\u00e9alisateur:<\/strong> Chisco Laresgoiti
Sc\u00e9nario:<\/strong> Miguel Bonilla Schnaas
Photographie:<\/strong> Carlos Guizar
Acev:<\/strong> Silverio Palacios, Marius Biegai, Gabriela Cartol, Domingo Gonz\u00e1lez, Andr\u00e9s Hern\u00e1ndez, Imelda Sof\u00eda Hern\u00e1ndez rt Flor de Mar\u00eda Lopez
Soci\u00e9t\u00e9 de production:<\/strong> La Casa de Cine<\/p>\n

\n

La modernit\u00e9, la corruption et le crime ravagent un village des hauts plateaux du Chiapas. Edgar arrive dans le village pour vendre de la lingerie, ignorant les perturbations des coutumes de ses habitants. De m\u00eame, le Dr Victor, un autre \u00e9tranger dans la communaut\u00e9, anime des ateliers d’\u00e9ducation sexuelle pour les jeunes femmes, mais il s’av\u00e8re que ses motivations sont plus sinistres, car il d\u00e9veloppe un r\u00e9seau de trafic de femmes. Domingo, un jeune homme appartenant \u00e0 la communaut\u00e9 tzotzil, est pour sa part impliqu\u00e9 dans la vente de drogues. Trois histoires s’entrem\u00ealent comme des cordes sur le point de rompre, conduisant vers un ab\u00eeme, vers des jours sombres, o\u00f9 chaque partie s’attaque mutuellement dans une mal\u00e9diction qui semble in\u00e9vitable.<\/p>\n

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H\u00c9ROES VERDES (2024)<\/h2>\n

S\u00c9RIE DOCUMENTAIRE<\/h2>\n

R\u00e9alisateur <\/strong>: Jordi Mariscal<\/span>
5 \u00c9pisodes \/ Couleur \/ 55 minutes \/ Espagnol et Anglais<\/span><\/p>\n

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Une s\u00e9rie documentaire en cinq \u00e9pisodes sur les Mexicains qui travaillent pour am\u00e9liorer et prot\u00e9ger l’environnement dans le pays. L’objectif est de sensibiliser le public mexicain gr\u00e2ce \u00e0 des histoires personnelles qui servent d’inspiration pour le changement et la protection de la nature.<\/p>\n

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SANTUARIOS DEL INFINITO (2022) DOCUMENTAIRE<\/h2>\n

R\u00e9alisateurs <\/strong>: Chisco Larsgoiti et Miguel Bonilla Schnaas <\/span>
Couleur \/ 25 minutes \/ Espagnol<\/span>
Casting<\/strong>: Pour d\u00e9finir la voix anglaise et la voix espagnole.<\/span><\/p>\n

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Sanctuaires de l’Infini est un film documentaire qui met en valeur la grandeur des villes de nos anc\u00eatres en utilisant des drones, de la musique pr\u00e9hispanique et une narration po\u00e9tique. Inspir\u00e9 de la pi\u00e8ce embl\u00e9matique Centinelas del silencio de Robert Amram et Manuel Arango, le r\u00e9alisateur Chisco Laresgoiti retourne dans les sanctuaires les plus importants du Mexique pour capturer des images in\u00e9dites sous des perspectives fra\u00eeches et surprenantes. Les \u00e9l\u00e9ments naturels et la personnalit\u00e9 de chaque lieu enrichissent le r\u00e9cit des huit sites choisis : Tulum, Chich\u00e9n Itz\u00e1, Uxmal, Palenque, Calakmul, Teotihuac\u00e1n, Monte Alb\u00e1n et Paquim\u00e9.<\/span><\/p>\n

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ATALAYA (2024)<\/h2>\n

DOCUMENTAIRE<\/h2>\n

R\u00e9alisateurs <\/strong>: Chisco Laresgoiti et Miguel Juan Bonilla Schnaas<\/span>
Couleur\/ 60 minutes \/ Espagnol et Anglais.<\/span><\/p>\n

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Atalaya est une pi\u00e8ce qui d\u00e9voile les anecdotes de tournage de deux projets embl\u00e9matiques de l’arch\u00e9ologie mexicaine : Centinelas del silencio (1971) et Santuarios del infinito (2022), ainsi que des interviews approfondies avec les arch\u00e9ologues les plus pertinents du pays. Il comprend des entretiens avec Manolo Arango et Robert Amram, laur\u00e9ats d’un Oscar pour Santuarios del infinito, ainsi qu’avec les directeurs de l’INAH. Le documentaire raconte, d’une mani\u00e8re fra\u00eeche et innovante, les d\u00e9couvertes arch\u00e9ologiques les plus r\u00e9centes au Mexique. Il contient les derni\u00e8res pr\u00e9misses de la recherche.<\/span><\/p>\n

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TECHNOLOGIE PSYCH\u00c9D\u00c9LIQUE (2025)<\/h2>\n

S\u00c9RIE DOCUMENTAIRE<\/h2>\n

R\u00e9alisateur <\/strong>: Miguel Bonilla Schnass<\/span>
Producteurs <\/strong>: Chisco Laresgoiti, Jordi Mariscal et Yaqui Mart\u00ednez.<\/span>
3 \u00e9pisodes\/couleur\/60 minutes\/espagnol et anglais<\/span><\/p>\n

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Une s\u00e9rie documentaire en trois \u00e9pisodes qui explore les psych\u00e9d\u00e9liques mexicains, de leur h\u00e9ritage ancestral depuis l’\u00e9poque pr\u00e9hispanique \u00e0 leur situation actuelle. Elle met \u00e9galement en avant la vision ethnique, l’utilisation m\u00e9dicale et la signification spirituelle. Un voyage merveilleux dans des coins recul\u00e9s du pays, y compris Oaxaca et Sonora, avec des interviews d’experts sur le sujet, tels que des peuples autochtones, des th\u00e9rapeutes et des chercheurs qui r\u00e9v\u00e8lent les qualit\u00e9s et l’importance des substances psych\u00e9d\u00e9liques.<\/span><\/p>\n

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Eleuterio M\u00e9ndez 11. Col. San Diego Churubusco. Coyoac\u00e1n. 04120. Ciudad de M\u00e9xico.<\/span><\/p>\n

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monica@lacasadecine.com<\/span><\/a><\/p>\n

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Connaissez les films que nous avons produits<\/a><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div><\/div>\n\t\t\t<\/div>
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